Bird's-eye view
This brief and somewhat bizarre episode, unique to Mark’s gospel, serves as a powerful and personal signature at the climax of the disciples' failure. In the midst of the chaos of Jesus' arrest, after all the named disciples have scattered, one last anonymous follower tries to stick with Him. His flight, however, is the most ignominious of all. He is seized, and in his panic, he wriggles out of his only garment and escapes into the darkness, stark naked. This is not just a curious detail; it is a picture of utter shame, desperation, and the complete stripping away of all pretense. The discipleship that began with a confident "we have left everything" ends here with a man leaving everything, including his dignity, just to get away from Jesus.
Many commentators, ancient and modern, have plausibly identified this young man as John Mark himself, the author of this gospel. If this is the case, it is a humble and self-deprecating confession, an artist painting himself into the corner of his masterpiece at his most shameful moment. It would also connect him to the rich young ruler from earlier in Mark’s account, who went away sad because he could not part with his possessions. Here, in the garden, this same young man loses his last possession in his haste to flee. It is a story of total failure, but one that sets the stage for a total restoration, purchased by the one who was stripped and shamed on the cross for the sake of all who flee.
Outline
- 1. The Humiliation of the Last Follower (Mark 14:51-52)
- a. A Final Attempt to Follow (Mark 14:51a)
- b. The Seizure and the Shameful Escape (Mark 14:51b-52)
Context In Mark
This two-verse incident is strategically placed. It immediately follows Mark 14:50, which states bluntly, "And they all left Him and fled." The story of the naked fugitive serves as the exclamation point to that summary statement. While Matthew and Luke report the general abandonment, Mark provides this vivid, personal illustration of just how complete and pathetic that abandonment was. This event is the rock bottom of the disciples' collapse. From here, the focus of the narrative shifts to Peter's specific denial, which was a verbal abandonment to parallel this physical one. The entire scene in Gethsemane demonstrates the fulfillment of Jesus' prophecy that the shepherd would be struck and the sheep scattered. This young man is the last sheep seen running for the hills, and his flight is the most memorable.
Key Issues
- The Identity of the Young Man
- The Symbolism of Nakedness and Shame
- The Linen Garment and its Connection to Burial
- Discipleship as Total Failure Apart from Grace
- Mark's Authorial Signature
The Author's Confession
Why would Mark include such a strange little story? It seems to interrupt the flow of the high drama of Jesus' arrest. But it is precisely for that reason that we should pay close attention. The early church tradition, and many since, have held that this was Mark’s way of writing himself into the narrative. It is his signature, but not a signature of pride. It is a signature of shame. If this young man is John Mark, whose mother’s house was a meeting place for the early church, then this is his personal testimony. "I was there," he says, "and I was the one who failed most spectacularly."
This connects beautifully with another character unique to Mark's telling: the rich young ruler whom Jesus loved (Mark 10:21). It is quite possible they are the same person. The rich man could not give up his possessions to follow Jesus. Now, in the garden, this young man, aroused from sleep and following in haste, has everything stripped from him. He who would not give up his wealth now gives up his last shred of dignity. It is a picture of the law's demand: you must forsake all. And it is a picture of our failure to meet it. But it is a failure that the gospel is designed to cover. This is the story of a man who hit bottom, and the rest of the gospel is the story of the God who meets us there.
Verse by Verse Commentary
51 And a young man was following Him, wearing nothing but a linen sheet over his naked body; and they seized him.
After the Twelve have fled, one last follower remains, trailing the chaotic procession. He is identified only as a young man. His state of dress is peculiar; he is wearing only a linen sheet, a sindon, wrapped around his naked body. This suggests he was roused from sleep in a nearby house, perhaps the very house where Jesus had observed the Last Supper, which may have been Mark's family home. He throws on the first thing available, a bedsheet, and runs out to see what is happening. His desire to follow Jesus is commendable, but his preparation is nil, and his commitment is about to be tested and found wanting. The verb for "was following" is the same used for discipleship. He is the last disciple standing, so to speak, but he is not standing for long. When the authorities, perhaps the temple guard, notice this straggler, they grab him as well. The dragnet is indiscriminate; anyone associated with Jesus is a target.
52 But he pulled free of the linen sheet and escaped naked.
The moment of truth comes, and raw self-preservation takes over. Just as they lay hands on him, he makes a desperate choice. He abandons his only covering, the linen sheet, and flees into the night, completely naked. The imagery is potent. In the Bible, nakedness is consistently associated with shame, judgment, and utter destitution (Gen 3:7; Rev 3:17-18). This is not just an embarrassing moment; it is a portrait of total spiritual failure. He is stripped bare, exposed in his weakness and fear. He saves his skin, but loses everything else. The linen sheet, the sindon, is left in the hands of the enemy. It is significant that this same Greek word is used by Mark to describe the burial shroud Joseph of Arimathea buys to wrap the body of Jesus (Mark 15:46). This young man escapes death by leaving his "burial cloth" behind; Jesus will go to His death wrapped in one. This fleeing disciple represents all of us in our natural state: when the pressure is on, we will abandon everything, even our dignity, to save ourselves. We cannot follow Jesus on our own terms or in our own strength. The failure must be total before the grace can be truly appreciated.
Application
This small, almost comical, scene is a profound depiction of the gospel. In our own strength, we are all that young man. We may have sincere intentions to follow Christ, but when the cost gets too high, when we are truly seized by the world, our first instinct is to save ourselves, at any cost. We will abandon our commitments and flee in shame, stripped of all our righteous pretensions.
The good news is that Jesus did not flee. He was seized, stripped, and shamed for us. He wore our nakedness on the cross so that we could be clothed in His righteousness. The young man left his linen garment behind to escape death; Jesus was wrapped in a linen garment as He went into death for us. And because He did, there is another young man in Mark’s gospel, the one waiting in the empty tomb, and he is "clothed in a long white robe" (Mark 16:5). The story that begins with shameful nakedness ends with glorious apparel, provided by Christ.
If you are a Christian, you have moments like this in your past, moments of shameful failure and panicked flight. John Mark did. Peter did. They all did. But the story doesn't end in the garden. It ends at the empty tomb and the throne of God. Your failure is not the final word. The final word is His grace, which finds us in our naked shame and clothes us in robes of white, robes that can never be seized or stripped away.